Bottesini – Gran Duetto No.2 for Two Double Bass – Download as PDF File .pdf), Text File .txt) or read online. Sheet Music – £ – Giovanni Bottesini – Gran Duetto 1 For Double Basses. Giovanni Bottesini, born 22nd December , studied the violin, singing and tympani as a young. When, in , his father entered him for a scholarship at the.
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David Heyes [9 June ]. Login to add to list. He left the Conservatoire three years before the usual time, not so much because he thought himself sufficiently advanced in his instrument to begin to turn it to account, as to be able to devote himself in a freer and more quiet atmosphere to composition, to which he felt himself irresistibly attracted Although the music is primarily soloist and accompanist, two players of equal abilities are needed to match the virtuosic workout that Bottesini demands.
Bottesini remained at the Conservatoire untilstudying the double-bass under his professor Luigi Rossi, attending at the same time to composition under the guidance of professors Piantanida and Ray, of the famous Basily, and the no less celebrated composer Vaccai. Separate different tags with a comma.
Open to the public. This single location in All: The movement ends with a dramatic and exciting passage, mostly in thirds and with a driving triplet figure, which pushes through to the very end and a successful and rousing botgesini.
In order to set up a list of libraries that you have access to, you must first login or sign up. Are they Bottesini at his best?
Skip to content Skip to search. Possibly the inclusion of the repeats may be pushing it a little, but there is sufficient variety of musical ideas and technical challenges to keep an audience entertained and intrigued. Subjects Double bass music Double basses 2 — Scores. Giovanni Bottesini was born on 22 December in Crema Lombardy into a musical family and his father, Pietro, a clarinettist and composer, encouraged his musical talent.
Are these great pieces?
With this in mind it is likely that Bottesini’s duets were written as the ultimate challenge for two solo double basses and he followed the bel canto tradition of the time, which he combined with some of the most advanced double bass virtuosity.
Add a tag Cancel Be the first to add a tag for this edition. The wretched boy had had in all, four lessons of Rossi! When played with style, elegance and a touch of ‘joie de vivre’ these become works which are worthy of a place on the concert stage. Then set up a personal duettk of libraries from your profile page by clicking on your user name at the top right of any screen.
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Giovanni Bottesini – Gran Duetto 1 For Double Basses
Taking courage however, he tried to execute them – but perceiving at once that he was playing horribly out of tune for want of fingering, he stopped short, and turning to his judges, apostrophised them as follows: He was however proved to be more than accurate, becoming the greatest double bass botteskni of the 19th-century, and travelling to every continent during a long and successful career.
His great friend, Alfredo Piattithe eminent Italian cellist who was a classmate at the conservatoire, stated that after his three years of study Bottesini never played better, but only gained experience. Notes Editor’s note in English and German. Luigi Rossi transcribed many violin studies by Polledro, Spohr, Libon and Mayseder for double bass duet, adding an accompaniment below the original, which he obviously used in his class to develop both technical and ensemble skills.
Bottesini: Three Duets for Double Bass – Dynamic: CDS – download | Presto Classical
None of your libraries hold this item. Our boy grsn for the latter – not indeed because the mastodontic proportions of the instrument had any peculiar attractions for him, but for the simple reason that he had already acquired a certain knowledge of the “king of stringed instruments” while under the tuition of his uncle Cogliati.
However, with two great players, all three duets have something to offer players and audiences alike. This single location in Queensland: Towards the end of Pietro Bottesini heard that at the Musical Conservatoire of Milan there were two free scholarships open competition, one for the fagotto serpent the other for the double-bass, asked his son which of the two he would prefer to compete for.
Gran Duetto 1 For Double Basses
Check copyright status Cite this Title Gran duetto 1: Public Private login e. The finale, a Polacca, is a rousing and lively piece with a rhythmic and driving accompaniment, mostly in double stops, against a fun and jaunty melody. View online Borrow Buy.