BRIAN MASSUMI SEMBLANCE AND EVENT PDF

In “Semblance and Event,” Brian Massumi, drawing on the work of William James , Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of. Following ideas, images, sensations and intense affects charted by William James, Alfred North Whitehead and Gilles Deleuze, Brian Massumi. Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the.

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They work with common language and with the appearance of a ‘degree zero’ of style such that everyone can feel invited to follow and think alongside the meditator. We’d be very wrong to conclude that his art cannot be event-like in the same way as contemporary dance by Cunningham, as championed by Massumi. Global Theories of the Arts and Aesthetics.

Brian Massumi, Semblance and Event: Arts of Experience, Politics of Expression – PhilPapers

Aspects of Consciousness in Philosophy of Mind categorize this paper. Added to PP index Total downloads 7of 2, Recent downloads 6 months 1of 2, How can I increase my downloads?

History of Western Philosophy. Alan evnet it it was ok Mar 20, I will attempt some commentary in what follows and gesture to possible sources of inspiration. Yes, it probably does, but the place for any assessment of the conflicting demands of logical abstraction and of the rigour of disciplines and carefully distinguished values is not in the reception of any single work. Indeed, from their opening sentences the two works stake out in markedly different prose styles diverging claims about where philosophy should begin.

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Semblance and Event: Arts of Experience, Politics of Expression

Middlethought rated it it was amazing Aug 05, Activist Philosophy and the Occurrent Arts is the first book Brian Massumi has published since the influential Parables for the Virtual: It gains a more direct involvement in artistic creation and sensibility.

In “Semblance and Event,” Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of “semblance” a Events are always passing; to experience an event is to experience the passing. Cameron Kunzelman rated it liked it Jun 30, Impaired Embodiment and Intersubjectivity.

Dawn Tritch rated it did not like it Apr 14, Philosophy of Psychology in Philosophy of Cognitive Science.

Brian Massumi, Semblance and Event: Activist Philosophy and the Occurrent Arts – PhilPapers

To ask other readers questions about Semblance and Eventplease sign up. The Semblance of Subjectivity: Mark rated it really liked it Jun 03, There are no discussion topics on this book yet. Philosophy’s Neglect of the Arts.

Open Preview See a Problem? Following ideas, images, sensations and intense affects charted by William James, Alfred North Whitehead and Gilles Deleuze, Brian Massumi invites us bian an aesthetic meditation that is also a meditation on art. Here is Massumi’s description of one such in the work of Irwin:.

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However, even if correct, these qualms about direction and absolutes take nothing away from the deep value of Massumi’s book, which does not lie in any final conclusions, claims or position. The problem is best approached through massumk wider set of symptoms, manifestations and arguments.

Very few philosophers have done this as thoroughly and with such semblanc commitment to the ubiquity of becoming and event. History of Western Philosophy. Michael Lechuga – – Journal of Argumentation in Context 3 1: This is not the case for Semblance and Event.

Stephen Zepke – – Deleuze and Guatarri Studies 6 2: It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: Google Books no proxy Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use massmi if your affiliation does not provide a proxy.

Without cookies your experience may not be seamless. As such, the book is resistant mwssumi simple logical dismemberment and to categorical situation in historical and disciplinary positions and lines. Yet this very weave is bound to shock, irritate or darkly amuse critics seeking pure forms in each of these disciplines.