ANANDAVARDHANA’S DHVANYALOKA Czliically edited Sanskrit Text, revised English iranslafion, Infroducfion and Holes dhyanyaloka of Anandavardhana. Dhvanyāloka of Ānandavardhana with the Locana of Abhinavagupta, and the Bālapriyādivyāñjana of Pandit Mahadeva Sastri. Edited by Pandit. Dhvanyaloka of Anandavardhana (Uddyota I) – Bishnupada Bhattacharya – Free ebook download as PDF File .pdf), Text File .txt) or read book online for free.

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Full text of “Dhvanyaloka Of Anandavardhana”

The difference is explained here. But the vyangyaartha might be a nisheda or a prohibition that it should not be done. In this example, the deepti is created by anandavadrhana word and meaning in spite of anzndavardhana absence of long compounds. Even when proper names are present, the expenence of sentiments etc vs not due to them but only due to the delineation of characters m a proper setting etc The experience of sentiments etc IS only given a designation by the proper name and is not at all conditioned by it In fact we do not have tlie experience of sentiments etc m all the instances where proper names are used.

Here the suggested meaning is that she did not go to the meeting point even though she had promised to meet her lover there. At that time, he notices a woman. In such cases, Karuna is not prominent.

Cf ‘ Danijin, Kuiyodaria, II. If on the other hand, the chief meaning of the sentence should direct towards something else and if Rasa, etc. He is the only Sanskrit Pandit to get this award. Tour passionate heart and sluggish bod Declare loudly, O friend.


One who knows fully about Alamkaara is an Aalankaarika.

Never are they so denoted directly by their proper names. There are some film institute students who fail to become good actors].

If it is different, does guna depend on sangathanaa or the other way? The counterview that metaphorical indication itself is suggestion IS answered in what follows ; — Suggestion does not bear identity with indication because there IS diffcrccce in nature between he two Suggestion which has been explained abose docs not bear identity with logical implication or indication since the two have different natures.

I have deep interest but lack any knowledge. If on reading the verse ijq etc. So this becomes Upama Dhvani.

The Dhvanyaloka of Anandavardhana with the Locana of Abhinavagupta. – Free Online Library

What is appropriate in such situation has to be considered. Hence the conclusion is established that whether it be of the nature of speaker’s mtention or cot, if the three fold suggested content should be principally manifest. These references justify the conclusion hat the Dhranyaloka came to be studied with great enthusiasm within a century of its composition and that its study had spread to remote provinces like Magadha and Karnataka.

Whereas there is a clear order in the vastu dhvani and alamkaara dhvani in which the vaachyaartha occurs first and then comes the vyangyaartha.


The Dhvanyaloka of Anandavardhana with the Locana of Abhinavagupta.

It could mean that there is a bigger danger now compared to the smaller nuisance that was faced earlier. That example dhvanyaoka which one sense leads to another sense through its own potency of suggestion and not out of the denotative potency of words will be an example of suggestion which depends upon the potency of anandavarchana very much akin to resonance — artha-shakti-moola-dhvani. Since the denoted meaning is more charming, in this example, the suggested meaning is subordinated to the denoted meaning.

A woman is living with her blind-in-laws while her husband has gone out of town for a long time.

Wanton women steal one’s heart. Kalidasa uses the Alamkaara judiciously, only those which are appropriate to the rasa in that context. The person should stand firm and erect. He does not need any other tool. Modtv such as UpanogoTikij the urban etc. There are three arguments within the first vada called the Abhaava-vaada who reject the existence of Dhvani.

S a iraafta naRra aa i dm i mnRianife.

The reference is obvionsly to Kalidasa n1q. There is a kramaa or sequence there. Note that Vyangya is the soul of poetry and there cannot be poetry without Dhvani.

The Shahitya Shashtra has evolved over the centuries.